Fazrin Abd Rahman

 


Featuring Artworks

Routine Bar Chart

Spray Paint On Aluminium Strips, 183 x 183 cm, 2019

Routine Puzzle

Spray Paint On Aluminium Strips, 118 x 118cm, 2019

Routine Octagon 2

Spray Paint On Aluminium Strips, 92 x 92 cm, 2019

Routine U

Spray Paint On Aluminium Strips, 122 x 122 cm, 2019

Routine Puzzle 2

Spray Paint On Aluminium Strips, 152 x 152 cm, 2019

Routine 5

Spray Paint On Aluminium Strips, 91 x 91 cm, 2019

The Greens

Spray Paint On Aluminium Strips, 183 x 360 cm, 2019

Dark

Spray Paint On Aluminium Strips, 152.5 x 152.5 cm, 2018

Maze 4

Spray Paint On Aluminium Strips, 152.5 x 152.5 cm, 2016


FAZRIN ABD RAHMAN – b. 1989, Malaysia

Fazrin completed his Diploma in Fine Arts from UiTM Sri Iskandar in Perak followed by B.A. in Fine Art (Sculpture) in UiTM Shah Alam, Selangor, Malaysia. In April 2019, Fazrin’s been awarded the prestigious Malaysia Emerging Artist Award (MEA). MEA Award is a biennial competition that honours the most promising young artists in Malaysia. Its main goal is to recognise the country’s top emerging talents and to give them the opportunity to break into the local and international art scenes. 

To date, Fazrin had participated in numerous group exhibition, among which are: Locals Only! by TAKSU (KL), Art Expo Malaysia represented by TAKSU (KL), ADA Show by Segaris Art Center (KL), Bilateral Bonds by TAKSU (SG), The Unreal Deal: Six Decades of Malaysian Abstract Art by Bank Negara Malaysia Museum and Art Gallery (KL), View From The Six by G13 Gallery (KL). Fazrin had his first solo exhibition, “Maze”, at TAKSU (KL) on September 22, 2016. Fazrin currently lives and works in Selangor, Malaysia.

Fazrin’s artwork does bear hint to his time majoring in sculpture. Aluminium dominates as the chief material, and the immediate impact felt by his works is its strong geometric qualities and the flat surfaces that deceive the eye; from afar, the works appear to be paintings, but closer inspection reveals the use of materials and markings that hint at the language of sculpture.

Fazrin, who cites the traditional art of rattan weaving, specifically the use of woven rattan sheets in the interiors of traditional Malay Kampung (village) houses, chosen aesthetic professes an affinity for the traditional forms found in local designs as a driving influence in his body of work. He once worked as a craftsman specialising in traditional woven goods and this personal reference has been present throughout all his works. The artist’s works also feature tile-like arrangements that resemble the square blocks of woven surfaces.